
Monday, July 18, 2011
John Mayer 2011 Berklee School of Music Clinic – “Manage the Temptation to Publish Yourself” POP SUPERHERO Cookie Cutter Girl BE A HERO
Friday, April 29, 2011
Boston Jewelry Store Designs Princess Diana Velvet Choker Necklace The royal wedding of Prince William and Kate Middleton AKA "Will and Kate" will be watched by millions Internationally on Friday, April 29 2011. As a Mother's Day tribute to Princess Diana, Prince William's Mother, Boston based jewelry store, Velvet Chokers, designed a custom necklace. Wills and Kate
FREE JEWELRY CONTEST for a
ROYAL WEDDING CHOKER!
in honor of The Royal Wedding & Mother's Day,
and am giving 1 away this month in the
FREE JEWELRY CONTEST!
http://VelvetChokers.com


Friday, October 8, 2010
HAPPY BIRTHDAY PARTY... BOSTON HERO: MATT DAMON! Be A Hero NEW MOVIE: EVERAFTER Matt Damon's Charity Work: Events and Causes! H2O Africa, Water.org, Not On Our Watch, Darfur, One Campaign, AIDS, ONEXONE POP SUPERHERO
BOSTON HERO:
"great power comes great responsibility."
He consistently chooses to
use his power for good.
This Pop Superhero thinks
YOU are a Superhero too.
Matt Damon's Charity Work, Events and Causes

"HEREAFTER"
Monday, April 5, 2010
Best Red Sox game of my life! They were down until the 5th...yet, I KNEW they'd win...and they did...and Steven Tyler & Neil Diamond Performed!
Had the best seats & the best company...am VERY grateful for both.
Bought the tickets at a charity auction...So, I'm calling it Good Karma.
They were down until the 5th...yet, I KNEW they'd win...and they did.
...and STEVEN TYLER & NEIL DIAMOND both gave surprise performances!
He was in a Red Sox uniform, but I'm a huge fan of his films & philanthropy,
Not wanting to blow his cover, I let him slide by unnoticed by anyone else.
BUT...In doing so, I sacrificed meeting one of my personal heroes.
I wonder if I'll ever get that chance again? Oh well, I know I did the right thing.
If I was dreaming, don't wake me now...I just had a perfect night.
How are the Sox every gonna' top this game?
Monday, July 6, 2009
Michael Jackson, media greed Haunts the King of Pop's Death! POP SUPERHERO Plagued by Predators! Beware Michael Jackson Scams from Estate SCAM ALERT!
Welcome to MUSIC MONDAY!
Here's the latest on another POP SUPERHERO...
BE A HERO & Warn Others of Michael Jackson Scams.
Michael Jackson, Media Greed Haunts King of Pop

Buyer Beware on Michael Jackson SCAMS
MJ Estate Plagued by Scam Predators
Monday, March 30, 2009
Leonardo DiCaprio talks about President Obama and our environmental future in Nature's Voice! His Decision to jumpstart the market for cleaner cars.
Leonardo DiCaprio talks about President Obama and our environmental future in this month's online version of Nature's Voice. In the same issue, you can read about our new president's dramatic decision to jumpstart the market for cleaner cars. Thank you, as always, for being part of our online activist community. Sincerely, ![]() Frances Beinecke President Natural Resources Defense Council |
© Natural Resources Defense Council Photo Credits: top, © Joanna McCarthy; middle, © Jim Kay; bottom, © Boreal Songbird Initiative |
Friday, March 27, 2009
WARNER BROS. Takes Wyrd Sisters Band Name... and Charges Musicians 140,000 in Court Costs too! BROTHERS,HARRY POTTER,COPYRIGHT,TRADEMARK INFRINGEMENT
J
Trademark 101:
"...Trademark infringement may occur when one party uses a trademark which is identical or confusingly similar to a trademark owned by another party, in relation to products or services which are identical or similar to the products or services which the registration covers. An owner of a trademark may commence legal action against a party which infringes its registration...."
Laws can be as simple or complicated as you want to make them... or, if you have the time and money, want to bend them. Having said that, this is loosely the general premise of a trade mark:
If you have a business under a certain name, and you are the first to do business under that name in a certain area, then that trademark belongs to you for that area. It's called 'first usage'. If your product is global, then your trademark is global. Your trademark is applied to the product or service you provide. For instance, if you sell tires under the name of Flatt Tires, and you sell your tires worldwide, then no one else can sell tires under that name without your permission. Nor could they sell their tires under the name of Flat, Flott or Flitt. A trademark name for a product/service can not be too similar as it may cause confusion. You could possibly, however, sell Flatt Chicken, or Flatt Diapers. The products are not the same.
I had our lawyer communicate with Warner Bros. We tried to negotiate some kind of reasonable outcome for this blatant infringement of our trademark. They were not willing to negotiate at all. I was offended that not only did they believe that their wealth caused them to be immune from the law, but worse, that the sacred feminine name, the triple goddess- was being given to a band of male rockers. We chose the name to educate, to reclaim... People would ask: Who are the wyrd sisters? We'd answer: The wyrd sisters is the name of an ancient pre-christian deity who was above all all other gods. She was the maiden, the mother and the crone - the three phases of the moon, she who was, she who is, she who will be. The christians modeled the 'father, son and holy ghost' after her, shakespeare used her as his three witches in Macbeth. A form of this triple diety has existed in almost all human cultures.
Ahhh, now this is where the fairy tale ends and the nightmare begins...
An article was printed that contained a lot of misinformation. This article was picked up and reported, usually verbatim, worldwide. The article said that Warner Bros had offered us 50 thousand dollars. (No. It was 5 thousand...and a not-so-veiled threat .) The article quoted Radiohead as saying that we were ' a little band on a cash grab'. When we contacted radiohead they denied making this statement. The article was slanted to look like we just popped out of the woodwork to take advantage of the harry potter fame and Time Warner wealth. It was difficult to wrap our heads around how the media could be so irresponsible. The article was simply untrue, and it created an environment of public opinion which was very difficult to challenge and deal with. We learned that those who own the media can create their own reality. And who owns the media? Oh, but this was a very bad turn of events...
Being lucky enough to never had to be in court before, we had a rather pedestrian vision of what court would look like. In essence, it would be: Gather your evidence. Present it to an impartial and unbiased judge. Recieve a fair and logical verdict. This is not what it was like.
We had to gather evidence, and put something together called a 'factum' to go to court with. In a nutshell, what we generally needed to do was prove that there would be confusion created between their band and ours, and that their band could impact negatively on ours. For instance, we didn't want to show up at a performance to an audience of preteens expecting the Harry Potter band. Nor did we want to be seen as 'stealing' the name of the Harry Potter band as some kind of cheap publicity stunt. Our factum, affadavits and evidence were large. We had copies of interviews and articles, hard copy items like the question from the Scene It? game and numerous other related evidences. When our lawyers cross examined the wb lawyer, his cross read like this:
" When did you graduate school?"
wb: " I can't remember"
"When were you called to the bar?"
wb: " I can't remember."
To a court newbie like me, everything seemed nicely sewed up. It was simple, logical and linear. Court, however, was nothing like I was expecting. I had a sort of civilized 'Perry Mason' picture of court in my head. It was not like that at all. We had just a few hours to present our case. The judge, who had appointed himself to hear the case, announced at the start of our court appearance that he had not read our factum and evidence at all. He directed our lawyer 'to explain it'to him. He did not listen to much. Instead he shouted at and insulted our lawyer, cracked jokes at our expense, mugged for the press in the galley and roared statements that had been in the press and Warner evidence like ' Isn't this a publicity stunt by your clients?'. I was horrified. My lawyer didn't make much headway into our evidence at all. I'd watch him square his shoulders under his heavy robes after every rebuke and insult, widen his stance, say 'Yes, Your Honour...If You Please, Your Honour...', and try to make headway into a few more sentences. It was painful to watch, like watching some brute kick a puppy around the block. I couldn't understand why, if the judge had truly not read our evidence, he seemed so intent on not allowing my lawyer to present our case. During a break, a reporter asked me how I felt about our hearing. When I replied that I was feeling very victimized, he retorted: " What did you expect? Taking on a giant...pffft..." The sense all around was very strongly that I should have no expectation of equality when standing up to wealth. In fact, the sense was that I was stupid for being innocent enough to expect any differently.
There has been a lot of courtroom shenanigans going on over the past couple of years. For instance, the original judge recused himself for bias and then reinserted himself to award costs against us. The costs were $140,000.00. That's a lot of coin and something I was not prepared for. Courts and lawyers are very expensive and I have blown all of my savings and remortgaged my home. Servers have showed up at my foster home with papers called 'Examination in aid of execution' and 'contempt of court' for me. WB came through a legal backdoor to Manitoba and put judgements on my property, even though we're appealing those costs in Ontario. My poor sister's house is one of the properties with a judgement against it.
Tuesday, March 24, 2009
John "Cougar" Mellencamp: The State of the Music Business... De highlighted by finger-pointing & blame directed at MP3 File Sharing
John Mellencamp
Over the last few years, we have all witnessed the decline of the music business, highlighted by finger-pointing and blame directed against record companies, artists, internet file sharing and any other theories for which a case could be made. We've read and heard about the "good old days" and how things used to be. People remember when music existed as an art that motivated social movements. Artists and their music flourished in back alleys, taverns and barns until, in some cases, a popular groundswell propelled it far and wide. These days, that possibility no longer seems to exist. After 35 years as an artist in the recording business, I feel somehow compelled, not inspired, to stand up for our fellow artists and tell that side of the story as I perceive it. Had the industry not been decimated by a lack of vision caused by corporate bean counters obsessed with the bottom line, musicians would have been able to stick with creating music rather than trying to market it as well.
During the late 80s and early 90s the industry underwent a transformation and restructured, catalyzed by three distinct factors. Record companies no longer viewed themselves as conduits for music, but as functions of the manipulations of Wall Street. Companies were acquired, conglomerated, bought and sold; public stock offerings ensued, shareholders met. At this very same time, new Nielsen monitoring systems -- BDS (Broadcast Data Systems) and SoundScan were employed to document record sales and radio airplay. Prior to 1991, the Billboard charts were done by manual research; radio stations and record stores across the country were polled to determine what was on their playlists and what the big sellers were. Thus, giving Oklahoma City, for example, an equivalent voice to Chicago's in terms of potential impact on the music scene. BDS keeps track of gross impressions through an encoded system that counts the number of plays or "spins" that a song receives. That number is, thereafter, multiplied by the number of potential listeners. SoundScan was put in place at retail centers to track sales by monitoring scanned barcodes of units crossing the counter. A formula was devised whereby the charts were based 20% on the SoundScan number and 80% on BDS results. The system had changed from one that measured popularity to one that was driven by population.
Record companies soon discovered that because of BDS, they only needed to concentrate on about 12 radio stations; there was no longer a business rationale for working secondary markets that were soon forgotten -- despite the fact that these were the very places where rock and roll was born and thrived. Why pay attention to Louisville -- worth a comparatively few potential listeners -- when the same one spin in New York, Los Angeles or Atlanta, etc., was worth so many more potential listeners? All of a sudden there were #1 records that few of us had ever heard of. At the time we asked ourselves, "Am I out of touch?" We didn't realize that this was the start of change that would grow to kill, if not the whole of the music business, then most certainly, the record companies.
Reagan's much-vaunted trickle-down theory said that wealth tricked down to the masses from the elite at the top. Now we've found out that this is patently untrue -- the current economic collapse reflects this self-serving folly. The same holds for music. It doesn't trickle down; it percolates up from the artists, from word of mouth, from the streets and rises up to the general populace. Constrained by the workings of SoundScan/BDS, music now came from the top and was rammed down people's throats.
Early in my career, I wrote and recorded a song called "I Need A Lover" that was only played on just one radio station in Washington, DC the first week it came out. Through much work from local radio reps at the record company, the song ended up on thousands of radio stations. Sing the chorus of "I Need A Lover." It's not the best song I ever wrote nor did it achieve more than much more than being a mid-chart hit, but nevertheless, you can sing that chorus. Now sing the chorus of even one Mariah Carey song. Nothing against Mariah, she's a brilliantly gifted vocalist, but the point here is the way that the songs were built -- mine from the ground up, hers from the top down.
By 1997, consumers, now long uninvolved, grew passive, radio stations had to change formats. Creative artistry and the artists, themselves, were now of secondary importance, taking a back seat to Wall Street as the record companies were going public. The artists were being sold out by the record companies and forced to figuratively kiss the asses of their corporate overlords at the time these record companies went public. In essence, the artists were no longer the primary concern; only keeping their stockholders fat and happy and "making the quarterly numbers" mattered; the music was an afterthought.
Long-tenured employees of these companies were sacrificed in the name of profitability and the culture of greed was burned into the brains of even the most serious music lovers. It seemed that paying attention sales, who had the #1 record from one week to next, and who fell or rose on the charts was all that validated music.